Inglourious Basterds – Review

Eli Roth and Brad Pitt - Inglourious Basterds

From the tense opening scene right through to the humorous end Tarantino’s cast and script is on amazing form.
Musical scores and the style of beginning each change of scene with a chapter name and number were shared with Kill Bill. The similarities work well with both films but were quite obvious as Tarantino styles. This movie also shared the typical Tarantino gore, it was after all supposed to be a movie about Jewish-American soldiers scalping Nazis in German occupied France.

This is another movie I went in to knowing nothing more than it was directed by Quentin Tarantino, starred Brad Pitt, and involved Americans killing Nazis. I’d also heard that it was Quentin’s version of the past, so not historically accurate.
Knowing so little led to a lot of tense moments, not knowing where the story was going or how it would pan out. At one point I was so overcome with emotion that I began to cry a little, and then before you know it I’m laughing again at Aldo Raine’s (Brad Pitt) accent.

Brad Pitt was certainly the biggest name actor in the movie, but it’s doubtful he got as much screen time as other key characters. Particularly the women of the film – a Jewish French teenager Shosanna and a German film star Bridget von Hammersmark. Colonel Hans Landa the “Jew hunter” steals his scenes with villanious almost over the top performances that leave you tense and wondering what the hell he’s going to do.

My only problem is the scene involving Mike Myers. It felt out of place and his natural comedic accent was so conspicuous I kept expecting him to break out into “Yeah, Baby, yeah”.  The Boy has no problem with the scene, and Mike Myers part has been declared by many as a comeback. Maybe I wasn’t paying enough attention.

Inglourious Basterds is a stunning piece of cinema you must see for yourself. Make sure you attend when you’re properly awake, most of the movie is in French and German so you’ll need to pay attention to the subtitles.